With this new idea of straight lines and clear glass enhanced with warm, earthy shades, Wright developed a brain boggling lingo of by and large symmetrical samples. Sharp geometric structures, particularly the rhombus and chevron, ascend on great reiterated verticals. The windows of the extravagant Dana and the Martin houses speak to this versatile style. He really expands his comfort-zone here.
Prior to the decade’s over, Wright composed outside and inside more totally by continuing with his window diagrams into clerestories and sky confronting windows, and he started examining the triangle as the reason of main designs. We have been around the main wall and glass and found that these are ones that people love the most.